CAPTURED SEQUENCES M03

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Captured Sequences m03
Video, 17’26”, 2008
In a series of four videos presented in the form of an installation, in different monitors, the artist displays clusters of lines that change, multiply, disappear, and emanate light at different intensities from various angles.


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PRIMORDIAL HUNTERS

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Primordial Hunters
Video, 12’07”, 2007
Dogs bark inside a garden in Cape Town. Insects crawl on a lighting fixture and imprison victims in their webs. An airplane flies over the African coast as the pilot describes the countries below.


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SYNTHETIC GENOMIC READINGS ON BREATHING WORMS I

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Synthetic Genomic Readings on Breathing Worms 1
Video, 17’26”, 2007
Inspired on a piece presented at the Documenta in Kassel, 2007, the artist creates an installation using radio frequencies, water larvae, and the DNA of poppies. The video portrays the early stages of the work’s conception.


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FFFF FFFS FFSS SSSS – The Pluripotent and the Eleven HESCs Lines

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FFFF FFFS FFSS SSSS – The Pluripotent and the Eleven HESCs Lines
Video, 86’, 2006
In this three-act drama, human cells play the parts of singers and instruments, as mathematical problems, science concepts, and images of embryos cross the screen.


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SERIES OF PERIODICAL BILINEAR SURFACES

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Series of Periodical Bilinear Surfaces
Video, 6’31”, 2006
Chopped images are superimposed as coded writings in computer language flash across the screen, alongside fast-paced insertions of commonplace expressions and references to scientific, corporate, and military material and jargon.


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THE CHEMICAL AND PHYSICAL PERCEPTION IN THE EYE OF THE CAT, IN THE MOMENT OF THE CUT

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The Chemical and Physical Perception in the Eye of the Cat, in the Moment of the Cut
Video, 12’58”, 2005
In this video, awarded at the 16th Videobrasil, the artist uses animation in order to capture the process of transmission of pain, as he leads viewers to sink deep into a labyrinth of constantly changing colors, shapes, volumes, and textures.


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SELF-PORTRAIT AS A SPIDER

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Self-Portrait as a Spider
Video, 3’19”, 2005
Naked, outdoors, bathed by the sun, and sitting on a chair, Mercado looks at the camera, which focuses on parts of his body and on a spider. Using his feet, the artist accesses his “web,” the computer.


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DAS KAPITAL.07

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Das Kapital.07
Video, 17’, 2004
Alphanumeric sequences create charts on dotted lines, as Mercado speaks of surplus value, intelligence services, and the relation between suicide and insecticides, with messages in English, French, and German.


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POLITIK

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Politik
Video, 4’, 2001
Presented at the 13th Videobrasil (2001), the performance places the artist’s body at the center of a discussion about manipulation, surveillance, and violence. In the background, monitors display shocking images of people tortured by the Argentine dictatorship, necropsy scenes, and portraits of missing persons


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THE WARM PLACE

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The Warm Place
Video, 38’, 1998
Awarded in the 12th Videobrasil, the piece combines biblical passages and images of surgical procedures, and the language of electronic games is used for promoting the subversion of the power of the United States.


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REMAINS OF MY MOTHER

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Remains of My Mother
Video, 20’, 1995
Graphism weaves a plot of lines and colors. A baby is born amidst this visceral heap, only to call for its mother once again, after it has grown up.


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THE TORMENT ZONE

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The Torment Zone
Video, 9’, 1992
Drawings, animation, X-ray images, moans, currency bills, and headstones comprise visual commentaries on corruption, bureaucracy, and religiousness.


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