TRÍPTICO: ESTUDO PARA AUTO RETRATO I

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Tríptico: Estudo para Auto-Retrato 1
Video 2005
A study for the artist’s self-portrait.


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GROTESCO SUBLIME MIX

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Grotesco Sublime MIX
Installation, 2005
The artist's pulsating soundtrack controls the alternation, among three different screens, of previously manipulated images of three bodies as they touch, mingle, kiss, squeeze, hit, scream, pound, and love one another. Diverse rhythms reinforce the dialogue among the screens. The immersive exhibition site featuring black walls, screens, and exposed cables and projectors, sucks the audience into the images.


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RETRATOS IN MOTION: O BEIJO

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Retratos in motion: o beijo
Installation, 2005
A triptych of LCD screens, arranged in an immersive environment, displays moving images created using digital pictures of a kiss, taken with a cell phone camera.


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TORINO MIX

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Torino MIX
VJing, 2005
In this performance, presented at the Cluster magazine lounge during the Piemonte Share Festival, in Turin, Italy (2005), the artist manipulated and dematerialized live images to create ambiences, using color compositions that would shine at people as they moved and flowed around the premises.


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DEMOLIÇÃO

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Demolição
Installation, 2004
A virtual demolition tool at the reach of everyone. In the center of the space, the audience finds an interface with four buttons that, when pressed down, trigger percussive sounds and projections onto a wall of various images of a wall being demolished.


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DESCONSTRUINDO LETÍCIA PARENTE

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Desconstruindo Letícia Parente
Live Image, 2003
Featuring live manipulation of previously edited images of musical exercises in electronic improvisation by the group LCD, this performance is a rereading of the work Marca registrada, by Brazilian video art pioneer Letícia Parente. The goal is to create a counterpoint between Parente's historical performance and the deconstruction of the video narrative that results from its manipulation. Presented at the 14th Videobrasil International Electronic Art Festival (2003).


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PVC

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PVC
Live Image, 2001
Poet Maria Tereza interacts with images, both previously and live manipulated, projected onto three big screens, of a masturbating actress (Paula Preta). Based on a poem by Maria Tereza, featuring music by Wilson Sukorski. Presented at the 13th Videobrasil International Electronic Art Festival (2001).


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A MULHER E SEU MARIDO BIFE

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A mulher e seu marido bife
Live Image, 2001
The relationship between a wife and her husband, a steak: amid all the beating, mashing, and squeezing, passion unfolds. The performance combines live manipulation of prerecorded images and sounds with the live participation of actress Fabiana Prado. Presented at the 13th Videobrasil International Electronic Art Festival (2001).


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THE BODYMEN LOST IN HEAVEN

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The bodymen lost in heaven
Video, 1996
A metaphor about the conflicts that arise in a love relationship between a man and a woman. Featuring Bel Kowarick and Marcio Ribeiro. Participated in the Competitive Exhibition of the 11th Videobrasil International Electronic Art Festival (1996).


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JARDIM RIZZO

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Jardim Rizzo
Video, 1992
In a repair shop for “new, used, and refurbished parts,” fourteen characters stage a surreal abortion attempt. The nonlinear narrative portrays the action from the points of view of all involved. Screened at the 9th Videobrasil (1992).


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DEUS COME-SE

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Deus come-se
Video, 1990
Images of human body parts and of animals, of organic and inorganic matter, of tissues, guts, blood, orifices, folds, and insects are used by the author in this study of scales which recombines macro, medium, and micro into an existential puzzle. Participated in the 8th Videobrasil (1990).


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A PAIXÃO SEGUNDO BRUCE

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A Paixão segundo Bruce
Video, 1989
Crumpled Batman and Joker masks are unable to hide the characters' desperation and their inability to love in this ironic, striking fable with allusions to TV and to comic books. Awarded at the 7th Videobrasil (1989).


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NO TIME TO CRY

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No time to cry
Video, 1988
Using images of his grandmother and of an abandoned factory, the artist delves deep into existence, and into the opposite of what one believes oneself to be. Screened at the 6th Videobrasil (1988).


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