LIMITE - MOVIMENTAÇÃO DE IMAGEM E MUITA ESTRANHEZA [Limit - Moving image and lots of strangeness] - 2007 In the third edition of Caderno Videobrasil, the curatorial theme of the 16th International Electronic Art Festival SESC_Videobrasil reverberates in essays that review the role of experimentalism in contemporary audiovisual production. Filmmaker Carlos Adriano proposes a poetic-historic approach for the appreciation of Brazilian experimental audiovisual art. Lisette Lagnado, curator of the 27th Bienal de São Paulo, searches for echoes of Hélio Oiticica’s Cosmococa in current production. Jean-Paul Fargier describes television as an accelerator or particles and narratives. Peter Greenaway hails the cinema that succeeds the death of cinema as we know it. Limite, by Mario Peixoto, is the subject matter of an essay by Jorge la Ferla; and Esther Hamburger’s is the plotless road movie by Cao Guimarães. Edited by Paula Alzugaray, Caderno also counts on the collaboration of Kenneth Anger and André Costa.